Michael's thoughts can be found here:
"In terms of Rami, once again, you might have a very nice career and a nice business being very specialized. But, is that going to make you a designer of real breadth if you’re so specific with your look, no matter how well you do it? Any designer who’s around for more than a minute will have the tendency of people knowing their point of view anyway. You’re going to have to deal with that regardless, so if you’re only going to be like, “Oh, I only make drape dresses,” it’s not going to allow you to withstand, it’s not going to allow you to have different kinds of clients of different ages, different bodies, different cities. I’m not curious about like, oh, if he made shoes, what kind of shoes would they be? Would they be draped? Would he only make draped handbags? Would his perfume be draped? Would everything be draped? No matter how great you are at a certain thing, I think you need to find an aesthetic rather than a category. If you find a category you might be a very successful niche designer, but if you find a look you have the possibility of building a world. I’m a little disappointed that although it’s consistently chic, the wow factor is lacking in his work."
And Tim's here:
"For a fashion designer, the greatest compliment in the world is to have people look at your work and say: Ah, that's Rami Kashou," says Gunn. "So it's a bit of a conundrum for me when the judges get tired of seeing it. Rami struggled with that. His work is quieter. He doesn't ever want to create a float in a parade."
DISAGREEMENT!! It's a Dames & Divas Deathmatch, poodles!
As for us, well...
We don't love it.
Part of the problem we have with Rami's work is that we just don't respond well to what we consider excessive draping. It's just not our thing. Even so, we can recognize when it's done well and Rami certainly does it well.
On the other hand, we really kind of hate this design. First off, the color's kind of gross, and the proportions make her look really hippy and we don't like the skin-baring aspects of it.
Marble statue of Aphrodite by Kallimachos
Rami kind of had a point when the judges called him on producing yet another grecian-draped gown and he reminded them that they took him to the freaking Greek and Roman courtyard of The Metropolitan Museum of Art. We're as tired of seeing these Star Trek dresses as anyone, but they really waved a red flag at him there, whether they intended to or not.
And hey, at least her tits matched, right? That's something.
We don't HATE it, but we just don't love it. It's such a lameoid, over-repeated thing to say, but there really is no "wow" factor here.
The judges, on the other hand...they HATED it.
"I - I could KILL YOU WITH MY BARE HANDS for showing me this - this thing!"
"Holy shit. Defcon One, guys. This looks like it may be the big one."
"Cariño mío, you are like a little bird to me. An annoying little bird pecking away at my nerves."
"And when annoying little thick-necked birds in tight shirts build the same nest over and over and over again AFTER I keep telling them, 'Stop building the same nest and do something else!' well..."
"Then that little bird needs to die, you see."
"Yes. Die.
Don't waste my time again."
[Photos: Insecula.com - Barbara Nitke/Bravotv.com - Screencaps: Project RunGay]
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