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Showing posts with label Janeane Marie Ceccanti. Show all posts
Showing posts with label Janeane Marie Ceccanti. Show all posts

Monday, February 15, 2010

Boo Boo Kitty & Mila

Darlings, expect a lot of WTFs going forward.


Model: Kasey Ashcroft

WTF?

Help us out here, minions. Does ANYTHING about this entry make sense to you?

Like previous entries from Boo Boo, the dress starts off nice on the top. We like the frippery around the neck and we like the colors. We like the way the bodice is constructed and she did some nice work on the seaming.

But WTF is going on with that hem?

And WHY TF does the back of the dress look so much worse than the front? Did she think the model wasn't going to walk down the runway and turn around?

And finally, WTF was she even thinking with this concept? It's way too washed out, color-wise, for a cover and because of the shiny fabrics it looks, as the judges pointed out, a little too bridal.

We enjoy her for the entertainment value and she seems like a sweet girl, but she's been floundering every single week. We hate to say it, but it's time for Boo Boo Kitty to go.



"One thing that it's a little disturbing to me and disheartening to me is that after coming in second nobody was really happy for me. Nobody said congratulations. I don't know what's that about."

We're not even going to abbreviate this time: WHAT THE FUCK?

WHAT THE FUCKETY-FUCK-FUCK?!?

That is the STUPIDEST fucking complaint we have ever heard from anyone on a reality competition EVER. We realize that these people are tired and stressed out and the production people are firing questions at them in order to get a juicy soundbite, but who the hell says something like this? Who expects hugs for making second place FROM THE VERY PEOPLE SHE'S COMPETING AGAINST? THIS ISN'T THE SPECIAL OLYMPICS, LADY.

wE KNEW --sorry -- We knew when she had that second-episode meltdown over her model picking another designer that she was going to be a little nutty, but that just takes the cake. Get over yourself, honey.


Model: Brandise Danesewich

And you won't be getting any hugs or high-fives over this shitty dress, either.

Once again, we're completely befuddled as to the color choices here. When the editor in chief of a fashion magazine tells you what she wants from you in order to get your dress on the cover, PAY ATTENTION. Was Mila still pouting over the lack of HUGZ that she didn't hear the part about color?

And if you're going to be doing color-blocking (we're getting really bored with the color blocking, by the way) it better be damn perfect, especially when it's all so centrally located. Some of those seams look mighty poor to our eyes.

Plus, as Nina pointed out, the pattern basically serves as a roadmap to her funbox. "Here it is, boys! Or at least, here's the general vicinity!"

IF she had chosen more vibrant colors and IF she had executed it perfectly (and IF she hadn't pissed us off with her whining) we might have liked this dress, but to be honest, we kind of hate it.

She managed to put together a look that is both bland AND weird at the same time.

Tim Gunn's Workroom:





Extended Judging:





[Photos/Videos: myLifetime.com - Screencaps: Projectrungay.blogspot.com]



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Friday, February 12, 2010

Project Runway Season 7 Final Collections: Janeane, Jay, Jonathan, Seth Aaron

Remember, darlings. We're not giving anything away here. At least half of these collections are decoys. Each designer showed 10 looks.

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Monday, February 8, 2010

Boo Boo Kitty, Jay, Jonathan

If we see one more red fucking dress, we're gonna scream.

AAAAAAAAAAAGGGGGGGHHHHHHH!!!!!!!!

There. Now that we've gotten that our of our systems, let's get to rippin'.


Oh Boo Boo Kitty, we love you so much. Even though you haven't treated us to nearly as many tears as we'd hoped for, you do add some nice tension every week as we lean forward in our seats and say "This is IT! She's gonna WAIL this time!" And we thank you for that.

Also, the facial expressions. Priceless.

We really support the new regime's tactic of randomly placing dangerous objects like buckets full of water around the work room. We look forward to small fires in the corners and maybe some broken glass and live wires artfully placed around the room. Perhaps for the finale they could open the workroom door and let a tiger loose or something.
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Okay, the dress. We actually really like what she did around the neckline there. Not so much the Campbell's corsage, but those little noodles that provided some movement in an area where there's not usually any movement. Unfortunately, the color of the fabric makes it look like she's got half a box of Kleenex stuffed into her bra.


And it seems to fit her fairly well. There are some issues with the puckering in the seams, but for the most part, it's executed well too. BUT THAT SKIRT, KITTENS. What was she thinking there? It's like the dress starts off okay on the top and the further your eyes go down, the worse it gets, until you hit the bottom where it just goes right off the rails.

Y'know, the Red Dress Ladies were fabulous and fun and all, even inspirational, but we honestly don't get the crying. Granted, we have long established that we are cold-hearted bitches, but heart disease is fairly common and if we burst into tears every time we met someone living with it, we'd never get anything done.

Jay did a really nice job dressing her in a manner that is appropriate for her age and body type. The silhouette and the proportions are all fine.

But this baffles the hell out of us. It looks like the thorax on a bug. We don't understand why he went in that direction and we don't understand how he couldn't see how weird it looked on her.

We'll give her credit for one thing: she's rocking it.

Can we just say that we kind of adore Jonathan? He's the perfect blend of bitchy and sweet. Hey! He's where the gritty meets the pretty! We get it!

We also get what he was going for here. If you follow the line of the dress from the top to the bottom, it's a continuous curve in and out, like a Christmas tree effect. That's thoughtful and interesting. We also have to commend his fabric choice because we are SICK of looking at that cliched Valentine's red.

But there are two major problems here. The fabric looks absolutely tortured...

And that sash is horrible. It looks like what it is: a last-minute add-on put there just to fulfill the dictates of the challenge.

And we're also not supercrazy about the over-worked back (okay, that's 3 things). Like we said, we get where he was going. With some time and without the need to slap a soup logo on it, this could be a real knockout of a gown.

Tim Gunn's Workroom:




[Photos/Videos: myLifetime.com - Screencaps: Projectrungay.blogspot.com]



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Sunday, January 31, 2010

The Geek Squad

The geeks shall inherit the earth.


How cute are these two?

Attention! The chess club will meet at 3:15 to have their yearbook photos taken! If this conflicts with your gaming club meeting, please see Mr. Tom or Mr. Lorenzo after homeroom to get a slip.

Model: Brittany Oldehoff

We're torn on this look.

We like it, for the most part. It's sporty and it's got some nice details.

And it fits her well, for the most part.

And while we like the seam placements, they're not executed as well as they could be.

But what really bothers us about this look is that it's supposed to be a signature look, put together with the highest budget of any PR challenge ever. Does this look like 500 bucks worth of fabric and 2 days of work to you? It's nice enough, but it just doesn't go there.

Model: Alexis Broker

And yet, strangely, they brought their A game to their B garment.

Models: Lorena Angjeli, Alexis Broker

We really love this look. It's a great (and instantly recognizable) interpretation of the original look. We really like the idea of that sporty jacket paired with a little black dress.

Although to be honest, the dress could have used a bit more loving attention.

But in looking over the looks for this episode, we've been getting frustrated because it looks like most of the teams just banged out a B look without putting too much thought and work into it. Not the geek squad, though. They really thought about it and turned out a look that's in some ways better than their A look. That jacket could have used a lining, though.


Tim Gunn's Workroom:



[Photos/Videos: myLifetime.com - Screencaps: Projectrungay.blogspot.com]


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Wednesday, January 27, 2010

Seth, Maya, Boo Boo Kitty

Keep it moving, people.


We still think Seth's high up on the ones to watch list...

Model: Kristina Sajko

But this dress was not without its problems, even though we liked it.

Correction: we like parts of it. That's the thing we noticed this week. With this dress and the one he did last week (which we loved), we can see there's a tendency to put a LOT of elements on one garment. Sometimes they work together and sometimes they don't.

The one thing we really love about this piece is the hood, especially the way it attached to the bodice.

We could have done without the grommets, though.

And we could have done without those weird buckle-y things on the back.

Oh, and he kinda went overboard on the piping.

And really, the silhouette's a bit much. Despite all that, it's a pretty eye-catching look. For us, it's all about that hood. Had he married that to a slightly more toned down garment, it couldabin a contender.


We'll be honest. Maya frightens us a little. It's the hair and the eyebrows and all the...intensity, y'know? She looks like a femme fatale in a film noir. You couple that with ready access to sharp instruments, a high-stress situation, and her tendency to be really, really quiet and it leaves us waiting for a middle-of-the-night scene with an overturned lamp and her standing there with a smoking gun in her gloved hand while Tim bursts into the room in a fedora and says "My god, Maya. What have you done, you cold-hearted minx?!"

Okay, maybe that's just us. On the other hand...

Model: Monique Darton

My god, Maya. What have you done?

To her credit, she seemed to recognize that she had a little bit of ass walking down that runway.

She seems better than this and if we had to guess, we'd say she got too caught up in the various techniques she was using and didn't step back to look at the whole effect until it was too late.

We'll give her credit for her color choices, but the overall effect makes her look a little like a pinata.

Boo Boo Kitty, you have set the new world record and now we expect you to cry several times each episode. You have let us down. Please treat us to more talking-while-weeping funny faces in the coming episodes.

Model: Valeria Leonova

Because when you don't cry, you make dresses that basically look like crying jags in dress form. Seriously, that dress is depressing.

And we don't mean to single her out because so many other designers are doing them, but we're almost ready to declare a moratorium on sweetheart necklines for the rest of the season. Enough, people. Show us your nuts and make a frigging sleeve every now and then.

This is a design that might have worked in a fabric other than burlap and in colors other than these, but even then we're not sure. The skirt's a little too poofy in the wrong places.

And let's face it, that bustier is too small and too sad looking. And the way she trimmed it makes it look a little Wonder Woman.


Tim Gunn's Workroom:





[Photos/Videos: myLifetime.com - Screencaps: Projectrungay.blogspot.com]



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