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Monday, January 25, 2010

Very Good, Good, Not So Good

We're running the gamut, kittens!


Gotta say, after the first two episodes, Emilio is the clear front-runner from where we're sitting.

Model: Holly Ridings

Because THAT is a knockout of a dress. And all the people who had less-than-kind things to say about Holly's looks can shut it because that bitch's walk can knock a house down.

More than just having superior technical skills and design skills, Emilio's also got a surprisingly strong sense of style. She's the epitome of looking put together.

We like how he used a technique similar to the one he used last week - overlaid panels of a contrasting fabric - but made a dress totally different from the previous one.

And it fits her like a glove. Shouldabin a top 3 at least.

Speak up, Ben. No, really. "Quiet" gets you auf'd. Loudmouths get camera time. Honestly, do we have to teach you everything?

Model: Sophia Lee

It's alright. Ben described this as a classic dress that can be worn now or ten years from now. Well, we kinda had a strong negative reaction to that idea.

This is, after all, a design competition. When you deliberately go for a design that's so classic it doesn't fit into any time period, that's another way of saying "I'm playing it safe."


There's nothing really wrong with the dress. It fits. It's a pretty color. It's cute. But it's just kinda boring.

And we don't think he accomplished the "upside down tulip" thing he said he was going for.

Anna seems sweet, but she really needs to take a deep breath, find her center, and lighten the fuck up.

Model: Cerri McQuillan

Because while this dress demonstrates a technical precision, it is one morose-looking garment. A Dorothea Lange photograph in dress form.

And we don't think it's the dye job. She actually wound up with a subtle, sophisticated print and she could have gone in a lot of directions with it.

But going the "Whatever Happened to Baby Jane?" route was probably not the best use of it.

Not to mention, the fit wasn't all that great. It kind of hung on her body. And that drab ribbon was a horrible choice for trim.

We think her earnest, intellectual approach has a place at the table, but in the end, you have to make clothes that people enjoy looking at and want to wear. These over-studied pieces of hers aren't going to keep her in the game.

Tim Gunn's Workroom:







[Photos/Videos: myLifetime.com - Screencaps: Projectrungay.blogspot.com]



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